We need more
inspirational movies
Akh Muzakki ; The writer, chairman of East Java’s LP
Ma’arif Nahdlatul Ulama, lectures at the State Institute of Islamic Studies
(IAIN) Sunan Ampel in Surabaya
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JAKARTA
POST, 03 Februari 2013
The national film industry has recently been witnessing a new
trend: movies inspired by the life stories of leading national figures.
Following on from the success of romance stories, the life stories of
leading figures have emerged in the guise of movies like Sang Murabbi (The
Mentor), Sang Pencerah (The Enlightener), Sugiya and most recently Habibie dan
Ainun.
The latter film
was adopted from the inspirational life story of the third Indonesian
president BJ Habibie, and focused on his romance with his wife, Hasri
Ainun. The movie has proved an attraction for many. According to the MD
Entertainment, which produced the movie, within three days after the
premiere the movie’s audience reached 355,000 and after five days it
increased to 706,000. Within just a week, it hit a record of over 1 million
viewers.
Being more than
just documentaries, inspiration is a key issue in the new prominence of
these kinds of movies. By definition, the movies refer to celestial
guidance or influence exerted directly on the mind and soul of humankind.
The movies play a great role for individuals for their personal empowerment,
as they stimulate the mind to a high level of feeling or activity.
From the
perspective of cultural transmission, such an inspiration paves the way for
ideas and values to enter the mind. If inspiration works, then a person
will try to follow that inspiration strongly.
Why is that so?
Inspiration certainly is influential as the end result of a process of
emotional and cultural internalization. This is all the more so because
people tend to be certain that those who have inspired them serve as role
models for their personal betterment.
Such an
argument also applies to inspirational, life story movies. To win public
acceptance, the transmission of ideas and values adopted in the movie
should provide viewers with a level of certainty for their practical lives.
This principle arises because those values and ideas are transformed and
transmitted to the general public through teachings. People can easily
consume and practice the teachings, simply because they can serve as
practical instructions or manuals for the audience’s day-to-day lives.
It is
interesting to analyze why the inspiration for this movies has come from
the life stories of sociocultural and political leaders in the past rather
than from current elites.
People are
increasingly aware that recent sociopolitical developments in the country
are absent from the values and lessons worth learning. Corruption and
scandal are plaguing the sociopolitical landscape of contemporary
Indonesia.
As a result,
people feel there are no role models to inspire them. Given this, the
movies adopted from the life stories of past sociocultural and political
leaders serve as lessons for current elites to fight for the good of the
nation and to avoid selfishness.
Inspiration
goes along to revising charisma and film has recently been transformed into
a means of reviving charisma. Charisma is not necessarily restricted to
senses of cultural-traditional authority, but also to sociopolitical
authority.
Apart from
making money then, the production of these movies has also lent itself to
reviving charisma. The movies are meant to bring more followers of the
figures in question closer to the ideology initiated.
The captured
audiences of the revered figure are exposed to greater ideological
consolidation, so that the spirit of the figure can be further replicated.
Sociologists
promote the notion of charismatic authority as power that is legitimized on
the basis of leaders’ exceptional personal qualities, represented by both
their ideas and practices, which inspire loyalty and obedience from their
followers.
Weber
specifically relates the notion “charisma” to exceptional powers or
qualities of individual personality. These exceptional qualities lead the
charismatic individuals to becoming revered and virtually incomparable to
ordinary people.
In this spirit
of charisma, the ideas, expressions and practices of the charismatic
figures as adopted in the movies are expected to remain inspirational in
the eyes of their followers and beyond. The reviving of their inspiring
teachings is just a logical consequence of their sociocultural and
political influences on several parts of our society.
Indonesia today
may need to produce more inspirational movies. ●
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